REDOBA NEW BEAT PLASTIC LCPC-9L 
MEINL TRIANGLE MOD. TRI-15B
Meinl professional triangle. Model: TRI-15B. 15cm Medium model. Made of aluminum. Anodized in gold color.
BAJO MARS ELÉCTRICO MOD. HEADLESS 5
Bajo Mars B5M5 headless, cuenta con un cuerpo de álamo y tapa de arce burlado, un mástil de arce canadiense tostado y un diapasón de palisandro con trastes fanned fret para mayor comodidad y precisión. Equipado con pastillas tipo Jazz Bass y un circuito activo, ofrece una amplia gama tonal. Los controles incluyen bajo, medio, agudos, volumen maestro, balance de volumen y un jack. Con 24 trastes y cuerdas Alice de calibre 045~125, este bajo tiene un hardware EB-5 sin cabezal negro y está disponible en acabado translúcido. Ideal para quienes buscan un diseño elegante y un sonido versátil.
EIKON SHOTGUN MICROPHONE MOD. CM150
Professional shotgun instrument microphone, compact design with 16mm condenser capsule and unidirectional cardioid polar pattern, ideal for acoustic instruments and live applications, frequency response: 30 – 18,000 Hz, +48V phantom power, includes clamp and anti-fog screen wind.
PROEL SUPPORT FOR MICROPHONE DST40TL
Microphone desktop stand, fully foldable, equipped with universal adapter, height: 90 mm, base dimension: 160 mm radius, weight: 250 grams.
PLATILLO MEINL 18 MOD. B18TRC-B
Platillo trash-crash de 18” pulgadas, serie Byzance Brilliant, fabricado con aleación de bronce B20, martillado a mano para un sonido único, sonidos ricos y brillantes, peso delgado.
MEZCLADORA BEHRINGER MOD. 302USB
Mezcladora análoga premium ultra compacta de 5 entradas con preamplificador de micrófono Xenyx, alimentación phantom, interface de audio USB integrada, ruido ultra bajo y alto headroom, alimentada a través de USB o adaptador de alimentación externo (incluido), ecualizador neo británico de 2 bandas para un sonido cálido y musical, entrada de 2 tracks asignable para salida de Main Mix o audífonos, Main Min más salida de audífonos separada, dimensiones: 46 x 114 x 136 mm, peso: 0.38 kg.
PROEL (SUSTAIN) PEDAL MOD. GF-29
Proel sustain pedal for keyboard. Model: GF29. Golden feet series. Desustain / hold / damper control for keyboards, synthesizers and digital pianos. Polarity inversion switch. Construction materials: ABS and rubber. Width:78mm. Height: 39mm. Depth: 104mm. Weight: 0.25 Kg. Color black. Connectors: Gold-plated 1/4” mono jack. Cable length: 2 meters.
MEINL CYMBAL 22 MOD. B22DUCR
22" inch crash-ride cymbal, Byzance series, Extra Dry Dual model, medium-dark tone, complex character, full-bodied, musical, responsive, smooth and warm, low to medium tone, medium to low volume, short sustain, Raw, bright and traditional finish, made with B20 bronze alloy, ideal for gospel, funk, fusion, jazz, pop, RNB and studio.
DIMARZIO HUMBUCKER PICKUP FOR NECK DARK MATTER 2
Pastilla humbucker para guitarra eléctrica de 6 cuerdas, modelo Dark Matter 2, posición: brazo, alambrado: 4 conductores, imán: cerámica, resistencia: 8.29 kilo-ohms, espaciado: F-Spaced, sonido más orgánico y suave con agudos más suaves y menos potencia bruta.
PROEL CASE FOR GUIT. CLASSIC PFOAM-10
Semi-rigid case for classical guitar, made of external hard nylon fabric and high-density foam padding, interior lined with soft velvet, comfortable handles, durable carrying strap, metal rings and a large front zippered pocket, exterior width: 540 mm, external height: 1100 mm, external depth: 170 mm, weight: 2.5 kg.
BLACKSTAR PEDAL FOR HT-DRIVE GUITAR
Tube overdrive pedal for guitar, dual cascade, high voltage, triode stages that provide gain from warm boost to screaming overdrive, unique “Class A” tone control to cut fizz without making the backed-off tone sound dull and lifeless, speaker emulation output, high integrity buffered bypass, includes power adapter, silent switching, preamp tubes: ECC83 / 12AX7, dimensions: 160 x 119 x 80 mm, weight: 1.2 kg.
COMBO BLACKSTAR P/GUIT SILVERLINE DELUXE
State-of-the-art digital guitar combo with innovative SHARC® DSP power, a 12” speaker, 100 watts of power, attractive boutique style, response control based on patented TVP technology that accurately reproduces the nuances of the guitar circuitry. power amps (EL84, 6V6, EL34, KT66, 6L6, KT88), proprietary ISF control that takes you from British to American tone, six Blackstar preamp voices (Clean Warm, Clean Bright, Crunch, Super Crunch, OD 1 , OD 2), USB port that offers direct recording and effortless amplification, INSIDER software that unlocks deep editing features and patch management and sharing, MP3/Line input and emulated/phones output that offers a studio-ready tone or for quiet practice, powerful enough for any stage or subtle enough for home, preset and manual operation with 12 fully customizable preset locations es (128 with footswitch), loaded with Celestion type V speakers, dimensions: 477 x 581 x 265 mm, weight: 17.3 kg.
WASHBURN ELECTRIC GUITAR. IDOL T160
Solid electric guitar, basswood body, single cut, 1 tone and 1 volume controls, 3-position selector, 2 TE 103 Duncan Designed Stack Technology S/S pickups, gloss black finish, D'Addario strings, solid maple neck, ovangkol fingerboard, 22 frets, dot inlays, 25.5” scale, chrome hardware, Wilkinson Ashtray bridge, diecast machinery.
PEDAL SOURCE AUDIO COLLIDER
Delay and Reverb Effects Pedal for Electric Guitar, Create a Lush Stereo Extension with True Stereo Inputs and Outputs, Two Completely Independent Processors That Essentially Provide Two High-Powered Pedals in One Housing, Whether You Use Delay or Reverb Your Signal Still Has analog dry through routing, selectable between true bypass or buffered bypass, compact design, extruded anodized aluminum housing and slim profile, 8 presets recallable with onboard controls on the footswitch and a total of 128 presets recallable with an external MIDI controller, the app Neuro Mobil and the Desktop Neuro Editor provide “unlock” access to both sides of the pedal, giving you access to the opposite side regardless of switch position. which means it is possible to use this pedal as dual delay pedal and dual reverb pedal and to change the order of effects, Tap Tempo, Reverb Hold mode to hold or freeze your reverb trail, Knob Lock switch to avoid losing accidents that could lose settings, full MIDI functionality, expression control, functionality to discover previous knob positions, includes 9V DC power adapter and 1/8” to 1/4” cable for Neuro app connection Mobil, power consumption: 300 mA, USB port, dimensions: 11.4 x 11.4 cm (including knobs), weight: 0.45 kg.
WASHBURN E/ACOUSTIC GUITAR G20SCE
Grand Auditorium-type electro-acoustic guitar, hangover, solid sitka spruce top, pau ferro sides, mahogany back and pau ferro binding, Cathedral bracing with X scalloped pick, Washburn Parquet rosette, 3 rings, natural color, high gloss finish, satin mahogany neck with two-way truss rod, ovangkol fingerboard, 20 frets, 1-11/16” wide bone nut, scale: 25-5/16”, chrome hardware, ovangkol bridge, chrome diecast tuners, controls: volume, built-in tuner, bass/treble, phase, Fishman Presys II 301T preamp with tuner, D'Addario EXP-16 light set phospher bronze strings.
PEDAL SOURCE AUDIO ULTRA WAVE
Multi-Band Ultrawave Guitar Processor Compact Design 378 Band Split Options Including Single, 2, 3, 4, 8 and 10 Bands 44 Overdrive and Fuzz Distortion Types Including Tube, Diode, Foldback, Negative Flip Diode, Octave Up and more, Compressor/Expander, Stereo Inputs and Outputs, Detailed LFO controls to control Tremolo, Morphing or Ring Mod functions, 8-Band Graphic EQ, Adjustable Noise Gate, Assignable Knobs for quick on-stage changes, Make Changes Simultaneous On-the-Fly Up to Three Parameters with an External Expression Pedal, 6 Toggle Switch Accessible Presets, Select Between Buffered or Relay-Based Analog True Bypass, MIDI Compatible, USB Port, Durable Anodized Aluminum Housing, Access quickly and easily to a vast collection of published presets created by the Source Audio team and the growing Ultrawave Neuro community, Drive, Level, Sustai knobs n Bass and Treble Mid, dimensions: 11.4 x 7 x 5.1 cm (including knobs).
PEDAL NUX NOD-2 TUBEMAN MKII OVERDRIVE
Overdrive pedal for guitar, Drive, Level and Tone knobs, 1/4” input and 1/4” output, FET transistor that helps achieve the perfect overdrive sound so that transistor amps get a sound similar to a real tube amp , highlights harmonics, uses 9V DC adapter (not included), dimensions: 94 x 51 x 53 mm, weight: 174 g.
PEDAL NUX NGS-6 AMP ACADEMY
Pro-level amp modeling with bias tweaking, 7 independent moving signal blocks with send/return effects loop, intuitive operation and editing software, 1024-sample IR resolution, and slot for third-party IR loader with automatic format editor, scenes versatile application modules with independent 1/4” and XLR IR outputs, ultra-low system latency (1.2 ms) and powerful premium NXP RT DSP (1 GHz), comes with insertable Y cable for effects loop send /return, USB recording interface, AmpAcademy editor software and firmware update, 110 dB ultra-wide dynamic range, input impedance: 1 milli-ohm, output impedance: 1 kilo-ohm, sample rate: 48 kHz / 32 -bit, power: 9V DC (tip negative, optional adapter ACD-006A), current consumption: less than 300 mA, dimensions: 105 x 115 x 58 mm.
SCHECTER ELECTRIC GUITAR. PT PRO-MAPLE
Solid Electric Guitar, Alder Body, Flat Quilted Maple Top, Single Ply Ivory Binding, Black Hardware, Bolt-on Construction, PT-H Bridge with Stainless Steel Saddles / String Thru Body, Skinny Roasted Maple C-Neck, 14” (355mm) radius roasted maple fingerboard, Schecter Locking machinery, dot inlays, glow-in-the-dark dot markers, scale: 25.5” (648mm), thickness at 1st fret: .787” ( 20 mm) and at the 12th fret: .866” (22 mm), 22 X-Jumbo frets, 1.653” (42 mm) wide Graph Tech XL Black Tusq nut, 2-way adjustable truss rod with 5 Allen nut /32” (4 mm), Controls: Volume and Tone (Push-Pull) and 3-Position Switch, Bridge Pickup: Schecter USA Z-Plus™, Neck Pickup: Schecter USA Z-Plus™, Knurled Metal Knobs with fixing screw.
SCHECTER ELECTRIC GUITAR. PT PRO-EBONY
Solid Electric Guitar, Alder Body, Flat Quilted Maple Top, Single Ply Ivory Binding, Black Hardware, Bolt-on Construction, PT-H Bridge with Stainless Steel Saddles / String Thru Body, Skinny Roasted Maple C-Neck, 14” (355mm) radius ebony fingerboard, Schecter Locking machinery, dot inlays, glow-in-the-dark dot markers, scale: 25.5” (648mm), thickness at 1st fret: .787” (20 mm) and at the 12th fret: .866” (22 mm), 22 X-Jumbo frets, 1.653” (42 mm) wide Graph Tech XL Black Tusq nut, 2-way adjustable truss rod with 5/ 32” (4mm), Controls: Volume and Tone (Push-Pull) and 3-Position Switch, Bridge Pickup: Schecter USA Z-Plus™, Neck Pickup: Schecter USA Z-Plus™, Knurled Metal Knobs with fixing screw.
PASTILLA SD PUENTE HB 59 MODEL NICKEL
Passive humbucker pickup for 6-string electric guitar, '59 model, position: bridge, wiring: 1-wire braided shield, magnet: alnico 5, resistance: 8.20 kilo-ohms, designed to deliver classic PAF tone with modern construction, the Open, detailed sound from the vintage '59 (SH-1) exit humbucker pickup and sweet top-end make it the perfect choice for rock and blues.
BAJO MARS ELÉCTRICO MOD. EB-6 ACTIVO
Bajo eléctrico Mars EB-6, cuenta con un cuerpo de álamo, mástil de arce canadiense atornillado y diapasón de palisandro. Con un acabado mate/satinado, está equipado con un circuito activo y una pastilla Jazz Bass de gran tamaño. Los controles incluyen 1 volumen, 3 tonos (bajo, medio y agudo) y 1 jack. Tiene 24 trastes con inlays de perloid y cuerdas Alice de calibre 030 ~ 125. El hardware incluye un EB-6 tail con acabado cromado. Ideal para un sonido claro, versátil y de alto rendimiento.
ENCORDADURA DADDARIO MOD. XTAPB1047 3-PACK
Juego de 3 cuerdas para guitarra acústica con revestimiento extra ligero y revestimiento avanzado resistente a la corrosión, alambre envolvente de bronce fosforado y núcleo de NY Steel y tecnología Fusion Twist. Estas cuerdas se fabrican en los EE. UU. y se elaboran según nuestras estrictas especificaciones en nuestras instalaciones de producción de Nueva York.
BATERIA SONOR S/STANDS AQ2 STUDIO SET
Batería acústica serie AQ2 Studio Set, fabricada con 7 capas de maple, incluye bombo de 20” x 16” con tom holder DTH 4000, tarola de 14” x 6”, tom de aire de 10” x 7”, tom de aire de 12” x 8” y tom de piso de 14” x 13”, no incluye atriles ni platillos.
PLATILLO MEINL 18 MOD. CC18TRCH-B
Platillo Meinl. Modelo: CC18TRCH-B. De efectos. Estilos: Metal, Rock, Pop, Fusion y Studio. Timbre: Brillante. Tono: Alto / Medio. Volumen: Alto. Sustain: Medio. Peso: Delgado. Terminado: Brillante. Material: B10.
MEZCLADORA RELOOP MOD. RMX-60 DIGITAL
Mezcladora de club de alto rendimiento de 4 + 1 canales, 11 entradas y 6 salidas, arquitectura totalmente digital para un sonido y una flexibilidad excepcionales, 8 efectos de alta calidad de estudio (flanger, delay, echo, reverb, gate, pitch shift, phase, bit crusher, noise), pantalla de parámetros grande y claramente organizada, filtro bipolar por canal, características de ecualización ajustables (kill & classic), InnoFader compatible (RMX InnoFader disponible por separado), switch de asignación de crossfader por canal, canal de micrófono con ecualizador de 2 bandas y talkover “Tecnología Active Ducking’ para canal de micrófono, 2 salidas de audífono (jack y mini jack), ecualizador inteligente de una perilla y switch mono/estéreo para audífonos, preparado para el futuro gracias al innovador sistema de firmware actualizable (puerto de servicio USB), fader y crossfader-inicio y ajuste de curva, salidas simétricas (XLR) y asimétricas (RCA), entradas: 2 Phono, 7 Line y 1 Combo-Mic, salidas: 1 XLR, 1 Jack, 2 RCA y 2 salidas de audífonos, rango de frecuencia: 20 Hz – 20 kHz, rango de ecualizador clásico: +12 dB / -8 dB, rango de ecualizador de aislamiento: +12 dB / -26 dB (Total Kill), dimensiones: 320 x 107.5 x 386.7 mm, peso: 6.8 kg.
SOPORTE SONOR P/PLATILLO MOD. CTS 4000
El soporte para tom Sonor Serie 4000 ofrece ajuste sin engranajes y pies de goma para máxima estabilidad. Con un tornillo de mariposa para mejor agarre y brazos de tom con abrazadera de bola abierta, proporciona flexibilidad y facilidad de ajuste. Su varilla hexagonal corta y abrazadera de tubo de 2 segmentos permiten un ajuste seguro y preciso en dos segmentos. Ideal para un soporte robusto y adaptable.
TUMBA MEINL 12 1/2 MOD. RS1212PW
La Meinl Percussion Artist Series Roberto Serrano Tumba 12 1/2” ofrece un sonido cálido y resonante con su construcción en roble Siam de tres capas y parches REMO Fiberskyn. El acabado Pearl White y los herrajes de níquel cepillado le dan un toque elegante. Con llantas SSR redondeadas de 4 mm y clavijas de afinación de 10 mm, garantiza una afinación precisa y cómoda. Incluye Conga Saver, Soundpads y llave de afinación en L.
GUITARRA MARS ELECTRICA MOD. JAZZ SATIN
La Mars Electrica Jazz Satin combina elegancia y potencia. Con cuerpo de arce contrachapado y tapa de chapa de arce acolchado, ofrece dos humbuckers cerámicos para tonos versátiles. Equipada con puente Stop Bar Tail, controles de volumen y tono dobles, y disponible en colores llamativos como Red, Violin Sunburst, y Blue. Perfecta para músicos exigentes que valoran tanto el estilo como el rendimiento.
MEXICAN GUITAR PLAYERS
A website dedicated to the dissemination and promotion of Guitarists in Mexico and to publicize their projects and events. The largest Directory of Mexican Guitarists.
Cinthya BlackCat
Guitarist / Vocalist / Composer in Mystica Girls. Master Instructor at the Mi contra Fa Music Academy. He works at Speed Picking Guitar School. Endorsed: Jackson Guitars, D'Addario, Solcor Audio.
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Gilberto Puente
Los Tres Reyes is a musical trio of Mexican origin made up of the brothers Gilberto Puente (second voice, requinto), Raúl Puente (third voice, guitar), currently accompanied by the Cuban Bebo Cárdenas (first voice, guitar, maracas). The trio Los Tres Reyes, led by Gilberto and Raúl Puente, with Hernando Avilés as first voice, was integrated in October 1958.… Read more
Rafa Guarneros
Guitarist at Voo Doo Dog 🎸, Guitarist at Danger 🎸, Guitarist at Rosalía León 🎸. 🇲🇽 CDMX. Guitar Teacher at AGS Music School, Guitar Teacher at The Contemporary Music School MR and Artist at GTB electronics.… Read more
Jorge Cardenas
Jorge Cárdenas is a musician, guitarist and composer originally from Guadalajara Jalisco dedicated to the study and performance of Jazz. He studied guitar in the Music Department of the University of Guadalajara under the tutelage of the teachers Winfried Kellner and Juan Carlos Martinez Zavala. Later, he took advanced courses with teachers such as Hector Rodriguez, Francisco Lelo De Larrea, Tom Kessler, Ken Basman, Werther Ellerbrook, Simone Iannaerelli, Andrea Vettoretti and Jaime Soria Porto.… Read more
Hugo Loyo
Mexican guitarist who began his musical studies from childhood, venturing into various instruments such as the violin, the piano and the organ; but it is in 1986 that he began his guitar studies in various private institutions, as well as with outstanding professional teachers.… Read more
Maurizio Zheythan Black
Zheythan is a professional musician specializing in performance, composition, arranging, music production, audio engineering, and higher education.… Read more
Alex Otaola
Es un ejecutante y compositor mexicano, conocido por su trabajo al lado de Santa Sabina, agrupación a la que pertenece desde 1994, y del grupo de rock La Barranca, a la que se integró en 1998 y se separó en 2007; ese mismo año edita su primer trabajo (multimedia) solista Fractales. En el 2008 es invitado al XV Festival Internacional de Video Arte en Casablanca, Marruecos. Es el primer guitarrista mexicano cuya música ha sido incluida en el cd-sampler de la revista española ‘Guitarra Total’. Actualmente se encuentra integrado al grupo de rock San Pascualito Rey, además de estar promoviendo y distribuyendo gratuitamente su segundo disco solista “El hombre de la cámara” un trabajo grabado en vivo en el 2010 en la Cineteca Nacional durante el ciclo “Bandas Sonoras a Ritmo de Rock”. Es guitarrista de la banda tapatía Cuca después de la salida de Galileo Ochoa en el 2014; con dicha banda ha realizado 3 álbumes.… Read more
Roy Range VI
(MOISÉS GAMA SOLANO) He was born on October 16, 1985 in Tlalnepantla Edo. Mex. At the age of 15 he began his studies (in electric guitar) in a self-taught way. Later he entered the school of BELLAS ARTES in TULTEPEC EDO
