REMPLAZO BEYMA BOCINA M-21PW1400/FE 
MEINL TRIANGLE MOD. TRI-15B
Meinl professional triangle. Model: TRI-15B. 15cm Medium model. Made of aluminum. Anodized in gold color.
EIKON SHOTGUN MICROPHONE MOD. CM150
Professional shotgun instrument microphone, compact design with 16mm condenser capsule and unidirectional cardioid polar pattern, ideal for acoustic instruments and live applications, frequency response: 30 – 18,000 Hz, +48V phantom power, includes clamp and anti-fog screen wind.
BAJO MARS ELÉCTRICO MOD. HEADLESS 5
Bajo Mars B5M5 headless, cuenta con un cuerpo de álamo y tapa de arce burlado, un mástil de arce canadiense tostado y un diapasón de palisandro con trastes fanned fret para mayor comodidad y precisión. Equipado con pastillas tipo Jazz Bass y un circuito activo, ofrece una amplia gama tonal. Los controles incluyen bajo, medio, agudos, volumen maestro, balance de volumen y un jack. Con 24 trastes y cuerdas Alice de calibre 045~125, este bajo tiene un hardware EB-5 sin cabezal negro y está disponible en acabado translúcido. Ideal para quienes buscan un diseño elegante y un sonido versátil.
VIC FIRTH MOD. X5AVG
Extreme 5A Vic Grip drumsticks, series: American Classic, wooden tip, non-slip Vic Grip, length: 16.5" inches, diameter: 0.565" inches, made in the USA.
MAXTONE MACHINERY FOR GUITAR GM-14N
Chromed machinery, 3 tuners per side, for nylon strings, plastic buttons.
SOPORTE BEHRINGER P/MICROFONO MOD. MC1000
La abrazadera para micrófono es adecuada para todos los micrófonos vocales con cable estándar y es perfecta para presentaciones en vivo, estudios de grabación, podcasting y juegos. Viene con un adaptador de 3/8” a 5/8” para adaptarse a la mayoría de los soportes de micrófono disponibles en el mercado y es compatible con micrófonos con un diámetro entre 0.1 – 1.4” (24 – 35 mm). Su construcción de plástico duro resistente a roturas garantiza durabilidad, y la tensión del ángulo se puede ajustar según sea necesario para una colocación óptima del micrófono.
PARCHE MAXIMA 12 MOD. MDH-12H
Parche Maxima para tom. Modelo: MDH-12H. Diámetro: 12” pulgadas. Dos capas de película. De golpe. Transparente.
GUITARRA SGR BY SCHECTER BANSHEE-6 FR
Guitarra eléctrica SGR, color nogal satinado, país de origen: China, construcción bolt-on, cuerpo de tilo, superficie plana de la tapa, brazo de maple, diapasón de palo de rosa, incrustaciones: puntos Offset/Reverse, escala: 25.5” (648 mm),forma del brazo: C delgado, espesor al traste 1: .787” (20 mm) / al traste 12:.866” (22 mm), 24 trastes X-jumbo, radio del diapasón: 14” (355 mm), cejuela SGR by Floyd Rose de 1.625” (41.3 mm), alma ajustable de 2 vías con tuerca Allen de5/32” (4 mm), pastilla del puente: Schecter Diamond Plus, pastilla del brazo: Schecter Diamond Plus, controles: volumen y tono con selector de 3 vías, hardware en cromo negro, puente SGR by Floyd Rose, maquinaria Schecter, perillas de metal moleteado con tornillo de fijación, cuerdas: .009-.042.
RACK SKB 10 SPACES 1SKB-R104W
Roto-molded linear medium-density polyethylene (LMDPE) rack for maximum impact resistance, 10U 7° degree angled top threaded steel rails for secure mounting of popular mixers and DJ controllers, top and doors are injection molded, 4U vertical threaded steel rails in front, two removable side access plugs, exterior length: 27.75" inches (70.49 cm), exterior width: 23" inches (58.42 cm), exterior depth : 19.25” inches (48.90 cm), Top Rack Units: 10, Rear Rack Units: 4, Rail-to-Rail Rack Depth: 20.50” inches (52.07 cm), Front Rail Rack Depth to back cover: 23” inches (58.42 cm), weight: 15.42 kg.
PEDAL SOURCE AUDIO COLLIDER
Delay and Reverb Effects Pedal for Electric Guitar, Create a Lush Stereo Extension with True Stereo Inputs and Outputs, Two Completely Independent Processors That Essentially Provide Two High-Powered Pedals in One Housing, Whether You Use Delay or Reverb Your Signal Still Has analog dry through routing, selectable between true bypass or buffered bypass, compact design, extruded anodized aluminum housing and slim profile, 8 presets recallable with onboard controls on the footswitch and a total of 128 presets recallable with an external MIDI controller, the app Neuro Mobil and the Desktop Neuro Editor provide “unlock” access to both sides of the pedal, giving you access to the opposite side regardless of switch position. which means it is possible to use this pedal as dual delay pedal and dual reverb pedal and to change the order of effects, Tap Tempo, Reverb Hold mode to hold or freeze your reverb trail, Knob Lock switch to avoid losing accidents that could lose settings, full MIDI functionality, expression control, functionality to discover previous knob positions, includes 9V DC power adapter and 1/8” to 1/4” cable for Neuro app connection Mobil, power consumption: 300 mA, USB port, dimensions: 11.4 x 11.4 cm (including knobs), weight: 0.45 kg.
WASHBURN E/ACOUSTIC GUITAR G20SCE
Grand Auditorium-type electro-acoustic guitar, hangover, solid sitka spruce top, pau ferro sides, mahogany back and pau ferro binding, Cathedral bracing with X scalloped pick, Washburn Parquet rosette, 3 rings, natural color, high gloss finish, satin mahogany neck with two-way truss rod, ovangkol fingerboard, 20 frets, 1-11/16” wide bone nut, scale: 25-5/16”, chrome hardware, ovangkol bridge, chrome diecast tuners, controls: volume, built-in tuner, bass/treble, phase, Fishman Presys II 301T preamp with tuner, D'Addario EXP-16 light set phospher bronze strings.
PEDAL SOURCE AUDIO ULTRA WAVE
Multi-Band Ultrawave Guitar Processor Compact Design 378 Band Split Options Including Single, 2, 3, 4, 8 and 10 Bands 44 Overdrive and Fuzz Distortion Types Including Tube, Diode, Foldback, Negative Flip Diode, Octave Up and more, Compressor/Expander, Stereo Inputs and Outputs, Detailed LFO controls to control Tremolo, Morphing or Ring Mod functions, 8-Band Graphic EQ, Adjustable Noise Gate, Assignable Knobs for quick on-stage changes, Make Changes Simultaneous On-the-Fly Up to Three Parameters with an External Expression Pedal, 6 Toggle Switch Accessible Presets, Select Between Buffered or Relay-Based Analog True Bypass, MIDI Compatible, USB Port, Durable Anodized Aluminum Housing, Access quickly and easily to a vast collection of published presets created by the Source Audio team and the growing Ultrawave Neuro community, Drive, Level, Sustai knobs n Bass and Treble Mid, dimensions: 11.4 x 7 x 5.1 cm (including knobs).
PEDAL NUX NOD-2 TUBEMAN MKII OVERDRIVE
Overdrive pedal for guitar, Drive, Level and Tone knobs, 1/4” input and 1/4” output, FET transistor that helps achieve the perfect overdrive sound so that transistor amps get a sound similar to a real tube amp , highlights harmonics, uses 9V DC adapter (not included), dimensions: 94 x 51 x 53 mm, weight: 174 g.
PEDAL NUX NGS-6 AMP ACADEMY
Pro-level amp modeling with bias tweaking, 7 independent moving signal blocks with send/return effects loop, intuitive operation and editing software, 1024-sample IR resolution, and slot for third-party IR loader with automatic format editor, scenes versatile application modules with independent 1/4” and XLR IR outputs, ultra-low system latency (1.2 ms) and powerful premium NXP RT DSP (1 GHz), comes with insertable Y cable for effects loop send /return, USB recording interface, AmpAcademy editor software and firmware update, 110 dB ultra-wide dynamic range, input impedance: 1 milli-ohm, output impedance: 1 kilo-ohm, sample rate: 48 kHz / 32 -bit, power: 9V DC (tip negative, optional adapter ACD-006A), current consumption: less than 300 mA, dimensions: 105 x 115 x 58 mm.
SCHECTER ELECTRIC GUITAR. PT PRO-MAPLE
Solid Electric Guitar, Alder Body, Flat Quilted Maple Top, Single Ply Ivory Binding, Black Hardware, Bolt-on Construction, PT-H Bridge with Stainless Steel Saddles / String Thru Body, Skinny Roasted Maple C-Neck, 14” (355mm) radius roasted maple fingerboard, Schecter Locking machinery, dot inlays, glow-in-the-dark dot markers, scale: 25.5” (648mm), thickness at 1st fret: .787” ( 20 mm) and at the 12th fret: .866” (22 mm), 22 X-Jumbo frets, 1.653” (42 mm) wide Graph Tech XL Black Tusq nut, 2-way adjustable truss rod with 5 Allen nut /32” (4 mm), Controls: Volume and Tone (Push-Pull) and 3-Position Switch, Bridge Pickup: Schecter USA Z-Plus™, Neck Pickup: Schecter USA Z-Plus™, Knurled Metal Knobs with fixing screw.
SCHECTER ELECTRIC GUITAR. PT PRO-EBONY
Solid Electric Guitar, Alder Body, Flat Quilted Maple Top, Single Ply Ivory Binding, Black Hardware, Bolt-on Construction, PT-H Bridge with Stainless Steel Saddles / String Thru Body, Skinny Roasted Maple C-Neck, 14” (355mm) radius ebony fingerboard, Schecter Locking machinery, dot inlays, glow-in-the-dark dot markers, scale: 25.5” (648mm), thickness at 1st fret: .787” (20 mm) and at the 12th fret: .866” (22 mm), 22 X-Jumbo frets, 1.653” (42 mm) wide Graph Tech XL Black Tusq nut, 2-way adjustable truss rod with 5/ 32” (4mm), Controls: Volume and Tone (Push-Pull) and 3-Position Switch, Bridge Pickup: Schecter USA Z-Plus™, Neck Pickup: Schecter USA Z-Plus™, Knurled Metal Knobs with fixing screw.
SCHECTER EL GUITAR. C-1 FR-S SILVER M.
Solid Electric Guitar, Mahogany Body, Binding: Single-Ply, Arched Top, Black Hardware, Construction: Set-Neck with Ultra Access, Floyd Rose 1500 Series Bridge, Grover Rotomatic 18:1 Machinery, Mahogany 3-Piece Slim C-Arm with carbon fiber bracing rods, 14" (355mm) radius ebony fingerboard, inlays: lines, glow-in-the-dark Luminlay dot markers, scale: 25.5" (648mm), thickness at 1st fret: .787” (20mm) & 12th fret: .866” (22mm), 24 stainless steel X-Jumbo frets, 1.625” (41.3mm) wide Floyd Rose 1500 Series nut, 2-way adjustable truss rod with 5/32” (4 mm) Allen nut, controls: volume, tone, intensity, 3-way selector switch, 2-way Sustainiac On/Off switch and 3-way Sustainiac mode switch (Fundamental-Mix-Harmonic) , Bridge Pickup: Schecter USA Sonic Seducer™, Neck Pickup: Sustainiac®, Clip-On 9V Battery Bay, Screw-On Knurled Metal Knobs Fixing.
LOW SPECTOR ELECTRIC MOD. PERFORMER 4
4-string electric bass, classic NS-type nato body, 3-piece maple neck, bolt-on construction, 24 frets, amara fingerboard, patented passive P/J pickup set, inlays: white dots, scale: 34” , 1.57” wide graphite nut, 2 volume 2 tone, black hardware. Product dimensions: 10.5 x 45 x 122 cm. Weight: 4.68 Kg.
MEINL 17 MOD. SY-17SUS
17” suspended symphonic cymbal, flat profile for an immediate and sensitive response, very musical and warm extension, ideal for drumstick rolls for crescendos, medium-bright timbre, warm and smooth character, medium volume, medium sustain, traditional finish, Made of B20 bronze alloy.
PASTILLA SD PUENTE HB 59 MODEL NICKEL
Passive humbucker pickup for 6-string electric guitar, '59 model, position: bridge, wiring: 1-wire braided shield, magnet: alnico 5, resistance: 8.20 kilo-ohms, designed to deliver classic PAF tone with modern construction, the Open, detailed sound from the vintage '59 (SH-1) exit humbucker pickup and sweet top-end make it the perfect choice for rock and blues.
BAJO MARS ELÉCTRICO MOD. EB-6 ACTIVO
Bajo eléctrico Mars EB-6, cuenta con un cuerpo de álamo, mástil de arce canadiense atornillado y diapasón de palisandro. Con un acabado mate/satinado, está equipado con un circuito activo y una pastilla Jazz Bass de gran tamaño. Los controles incluyen 1 volumen, 3 tonos (bajo, medio y agudo) y 1 jack. Tiene 24 trastes con inlays de perloid y cuerdas Alice de calibre 030 ~ 125. El hardware incluye un EB-6 tail con acabado cromado. Ideal para un sonido claro, versátil y de alto rendimiento.
ENCORDADURA DADDARIO MOD. XTAPB1047 3-PACK
Juego de 3 cuerdas para guitarra acústica con revestimiento extra ligero y revestimiento avanzado resistente a la corrosión, alambre envolvente de bronce fosforado y núcleo de NY Steel y tecnología Fusion Twist. Estas cuerdas se fabrican en los EE. UU. y se elaboran según nuestras estrictas especificaciones en nuestras instalaciones de producción de Nueva York.
BATERIA SONOR S/STANDS AQ2 STUDIO SET
Batería acústica serie AQ2 Studio Set, fabricada con 7 capas de maple, incluye bombo de 20” x 16” con tom holder DTH 4000, tarola de 14” x 6”, tom de aire de 10” x 7”, tom de aire de 12” x 8” y tom de piso de 14” x 13”, no incluye atriles ni platillos.
PLATILLO MEINL 18 MOD. CC18TRCH-B
Platillo Meinl. Modelo: CC18TRCH-B. De efectos. Estilos: Metal, Rock, Pop, Fusion y Studio. Timbre: Brillante. Tono: Alto / Medio. Volumen: Alto. Sustain: Medio. Peso: Delgado. Terminado: Brillante. Material: B10.
MEZCLADORA RELOOP MOD. RMX-60 DIGITAL
Mezcladora de club de alto rendimiento de 4 + 1 canales, 11 entradas y 6 salidas, arquitectura totalmente digital para un sonido y una flexibilidad excepcionales, 8 efectos de alta calidad de estudio (flanger, delay, echo, reverb, gate, pitch shift, phase, bit crusher, noise), pantalla de parámetros grande y claramente organizada, filtro bipolar por canal, características de ecualización ajustables (kill & classic), InnoFader compatible (RMX InnoFader disponible por separado), switch de asignación de crossfader por canal, canal de micrófono con ecualizador de 2 bandas y talkover “Tecnología Active Ducking’ para canal de micrófono, 2 salidas de audífono (jack y mini jack), ecualizador inteligente de una perilla y switch mono/estéreo para audífonos, preparado para el futuro gracias al innovador sistema de firmware actualizable (puerto de servicio USB), fader y crossfader-inicio y ajuste de curva, salidas simétricas (XLR) y asimétricas (RCA), entradas: 2 Phono, 7 Line y 1 Combo-Mic, salidas: 1 XLR, 1 Jack, 2 RCA y 2 salidas de audífonos, rango de frecuencia: 20 Hz – 20 kHz, rango de ecualizador clásico: +12 dB / -8 dB, rango de ecualizador de aislamiento: +12 dB / -26 dB (Total Kill), dimensiones: 320 x 107.5 x 386.7 mm, peso: 6.8 kg.
SOPORTE SONOR P/PLATILLO MOD. CTS 4000
El soporte para tom Sonor Serie 4000 ofrece ajuste sin engranajes y pies de goma para máxima estabilidad. Con un tornillo de mariposa para mejor agarre y brazos de tom con abrazadera de bola abierta, proporciona flexibilidad y facilidad de ajuste. Su varilla hexagonal corta y abrazadera de tubo de 2 segmentos permiten un ajuste seguro y preciso en dos segmentos. Ideal para un soporte robusto y adaptable.
TUMBA MEINL 12 1/2 MOD. RS1212PW
La Meinl Percussion Artist Series Roberto Serrano Tumba 12 1/2” ofrece un sonido cálido y resonante con su construcción en roble Siam de tres capas y parches REMO Fiberskyn. El acabado Pearl White y los herrajes de níquel cepillado le dan un toque elegante. Con llantas SSR redondeadas de 4 mm y clavijas de afinación de 10 mm, garantiza una afinación precisa y cómoda. Incluye Conga Saver, Soundpads y llave de afinación en L.
GUITARRA MARS ELECTRICA MOD. JAZZ SATIN
La Mars Electrica Jazz Satin combina elegancia y potencia. Con cuerpo de arce contrachapado y tapa de chapa de arce acolchado, ofrece dos humbuckers cerámicos para tonos versátiles. Equipada con puente Stop Bar Tail, controles de volumen y tono dobles, y disponible en colores llamativos como Red, Violin Sunburst, y Blue. Perfecta para músicos exigentes que valoran tanto el estilo como el rendimiento.
MEXICAN GUITAR PLAYERS
A website dedicated to the dissemination and promotion of Guitarists in Mexico and to publicize their projects and events. The largest Directory of Mexican Guitarists.
Constantino Garin
Guitarist of Noesis Ñuu-Savi, a musical group originally from Huajuapan de León, Oaxaca, Mexico, in their musical style they fuse the sounds of different cultures of the State of Oaxaca, made up of four brothers of Oaxacan origin dedicated to the dissemination of traditional music Mexican with sounds of an electric nature, also interpreting pieces of classical music by composers like Beethoven, mixing sounds such as blues, metal, rock, folk and Chilean.
... Read more
Hugo Loyo
Mexican guitarist who began his musical studies from childhood, venturing into various instruments such as the violin, the piano and the organ; but it is in 1986 that he began his guitar studies in various private institutions, as well as with outstanding professional teachers.… Read more
Giovanni Piacentini
Giovanni Piacentini is a composer whose body of work is as diverse as his cultural background. Born in Mexico City, to an Italian father, a doctor, opera lover, and a Mexican mother, a figurative painter, he was exposed to a
Roy Range VI
(MOISÉS GAMA SOLANO) He was born on October 16, 1985 in Tlalnepantla Edo. Mex. At the age of 15 he began his studies (in electric guitar) in a self-taught way. Later he entered the school of BELLAS ARTES in TULTEPEC EDO
Lino Nava
Guitarist, composer, and producer of La Lupita and many other things. Music lover.… Read more
Galileo (Galo) Ochoa
It was with Cuca that his career as a guitarist began to stand out. The characteristic sound of this band is mainly hard rock. Galo Ochoa has composed songs together with José Fors that became hits such as: "Son of the milkman", "La pucha asesina", "me vale madre", and so on. After the separation from Cuca, his brother Aldo, and Christian Gómez, joined Carlos Avilez (also her bassist), thus emerging Nata, where his main sound is closer to heavy metal. ... Read more
Jorge Cardenas
Jorge Cárdenas is a musician, guitarist and composer originally from Guadalajara Jalisco dedicated to the study and performance of Jazz. He studied guitar in the Music Department of the University of Guadalajara under the tutelage of the teachers Winfried Kellner and Juan Carlos Martinez Zavala. Later, he took advanced courses with teachers such as Hector Rodriguez, Francisco Lelo De Larrea, Tom Kessler, Ken Basman, Werther Ellerbrook, Simone Iannaerelli, Andrea Vettoretti and Jaime Soria Porto.… Read more
Raúl Fernández “Greñas”
His professional career began in 1981 in London, England, when he joined an English band called Red, with which he recorded 3 songs. In 1983, back in Mexico, he formed Luzbel, a band with which he has recorded 7 albums and the new one is about to come out. Other important projects are the 2 albums of the Argus Group that he also founded. He has several participations both as session musician and as a special guest in various projects.… Read more
