ASHDOWN BAFFLE FOR BASS MOD. ABM-112H-PN 
ROPE DADDARIO MOD. XSAPB1047-12 
ACCORDION MORETTI BOT. MOD. TURIN FBBEB 
ROPE DADDARIO MOD. MV10C 
BAQUETON MEINL P/CAVILLER COW-1BK 
ROPE DADDARIO MOD. NYXL45100SL 
ROPE DADDARIO MOD. NYXL4095 
HEADPHONES SENNHEISER MOD. HD-25 
MEINL TRIANGLE MOD. TRI-15B
Meinl professional triangle. Model: TRI-15B. 15cm Medium model. Made of aluminum. Anodized in gold color.
BAJO MARS ELÉCTRICO MOD. HEADLESS 5
Bajo Mars B5M5 headless, cuenta con un cuerpo de álamo y tapa de arce burlado, un mástil de arce canadiense tostado y un diapasón de palisandro con trastes fanned fret para mayor comodidad y precisión. Equipado con pastillas tipo Jazz Bass y un circuito activo, ofrece una amplia gama tonal. Los controles incluyen bajo, medio, agudos, volumen maestro, balance de volumen y un jack. Con 24 trastes y cuerdas Alice de calibre 045~125, este bajo tiene un hardware EB-5 sin cabezal negro y está disponible en acabado translúcido. Ideal para quienes buscan un diseño elegante y un sonido versátil.
EIKON SHOTGUN MICROPHONE MOD. CM150
Professional shotgun instrument microphone, compact design with 16mm condenser capsule and unidirectional cardioid polar pattern, ideal for acoustic instruments and live applications, frequency response: 30 – 18,000 Hz, +48V phantom power, includes clamp and anti-fog screen wind.
ENTORCHADO PURESOUND ACERO S1230
Entorchado de 30 hilos para tarola de 12” pulgadas, modelo Super 30, aleación de acero, fabricado a mano, construido como la serie Custom pero con más articulación y capacidad de respuesta, penetrante sonido característico, sin sacrificar el sonido de la tarola, fabricado y diseñado en USA.
AMPLIFICADOR ASHDOWN P/BAJO CTM-30-LS
Amplificador a bulbos de 30 watts para bajo, bulbos EL84 (sección de potencia), ECC81, ECC82 y ECC83 (sección de preamp), controles: Graves, medios, agudos, volumen, drive y feedback, una entrada de instrumento (1/4”) con selector de sensibilidad (High y Low, para instrumentos activos y pasivos respectivamente), 2 salidas de altavoz (carga mínima de 4 ohms), socket de salida DI, socket FX Send/Return, dimensiones: 400 x 220 x 80 mm.
TC PEDAL FOR TAILSPIN VIBRATO GUITAR
Vibrato pedal for guitar, classic true-pitch vibrato, analog circuit, true bypass, slow undulating sounds, can emulate a scratched record or rotating speaker, rate and depth controls, works with a 9V battery or adapter (not included).
DIMARZIO HUMBUCKER PICKUP FOR SONIC ECSTAS BRIDGE
Pastilla humbucker para guitarra eléctrica de 6 cuerdas, modelo Sonic Ecstasy, posición: puente, alambrado: 4 conductores, imán: cerámica, resistencia: 15.3 kilo-ohms, gran potencia, profundidad y calidez, sonido muy denso pero sin pérdida de definición o claridad.
CABLE PRO SOUND P/BOCINA PSC-414/100MT
Cable Prosound para bocina. Modelo: PSC-414. Diámetro: 10.2 mm. Largo: 100 mts.
AKG MICROPEN MP40 US58 TRANSMITTER
AKG Micropen transmitter. Model: MP40 US58. Miniature transmitter with a detachable C407 decondenser microphone with omnidirectional characteristic. The transmitter has been specially developed for speech transmission in combination with the receivers of the AKG WMS 40 system. The MP40 Micropen works with a UHF frequency from 710 to 865 MHz and with a dipole antenna built into the box. US58 734.600MHz
HILO PURESOUND P/ENTORCHADO MOD. MS50
Hilo para montaje de entorchado de tarola, carrete de 50 pies (15 metros), puedes montar cualquier set de entorchado con consistencia y confiabilidad.
BLACKSTAR PEDAL FOR HT-DRIVE GUITAR
Tube overdrive pedal for guitar, dual cascade, high voltage, triode stages that provide gain from warm boost to screaming overdrive, unique “Class A” tone control to cut fizz without making the backed-off tone sound dull and lifeless, speaker emulation output, high integrity buffered bypass, includes power adapter, silent switching, preamp tubes: ECC83 / 12AX7, dimensions: 160 x 119 x 80 mm, weight: 1.2 kg.
COMBO BLACKSTAR P/GUIT SILVERLINE DELUXE
State-of-the-art digital guitar combo with innovative SHARC® DSP power, a 12” speaker, 100 watts of power, attractive boutique style, response control based on patented TVP technology that accurately reproduces the nuances of the guitar circuitry. power amps (EL84, 6V6, EL34, KT66, 6L6, KT88), proprietary ISF control that takes you from British to American tone, six Blackstar preamp voices (Clean Warm, Clean Bright, Crunch, Super Crunch, OD 1 , OD 2), USB port that offers direct recording and effortless amplification, INSIDER software that unlocks deep editing features and patch management and sharing, MP3/Line input and emulated/phones output that offers a studio-ready tone or for quiet practice, powerful enough for any stage or subtle enough for home, preset and manual operation with 12 fully customizable preset locations es (128 with footswitch), loaded with Celestion type V speakers, dimensions: 477 x 581 x 265 mm, weight: 17.3 kg.
WASHBURN ELECTRIC GUITAR. IDOL T160
Solid electric guitar, basswood body, single cut, 1 tone and 1 volume controls, 3-position selector, 2 TE 103 Duncan Designed Stack Technology S/S pickups, gloss black finish, D'Addario strings, solid maple neck, ovangkol fingerboard, 22 frets, dot inlays, 25.5” scale, chrome hardware, Wilkinson Ashtray bridge, diecast machinery.
PEDAL SOURCE AUDIO COLLIDER
Delay and Reverb Effects Pedal for Electric Guitar, Create a Lush Stereo Extension with True Stereo Inputs and Outputs, Two Completely Independent Processors That Essentially Provide Two High-Powered Pedals in One Housing, Whether You Use Delay or Reverb Your Signal Still Has analog dry through routing, selectable between true bypass or buffered bypass, compact design, extruded anodized aluminum housing and slim profile, 8 presets recallable with onboard controls on the footswitch and a total of 128 presets recallable with an external MIDI controller, the app Neuro Mobil and the Desktop Neuro Editor provide “unlock” access to both sides of the pedal, giving you access to the opposite side regardless of switch position. which means it is possible to use this pedal as dual delay pedal and dual reverb pedal and to change the order of effects, Tap Tempo, Reverb Hold mode to hold or freeze your reverb trail, Knob Lock switch to avoid losing accidents that could lose settings, full MIDI functionality, expression control, functionality to discover previous knob positions, includes 9V DC power adapter and 1/8” to 1/4” cable for Neuro app connection Mobil, power consumption: 300 mA, USB port, dimensions: 11.4 x 11.4 cm (including knobs), weight: 0.45 kg.
WASHBURN E/ACOUSTIC GUITAR G20SCE
Grand Auditorium-type electro-acoustic guitar, hangover, solid sitka spruce top, pau ferro sides, mahogany back and pau ferro binding, Cathedral bracing with X scalloped pick, Washburn Parquet rosette, 3 rings, natural color, high gloss finish, satin mahogany neck with two-way truss rod, ovangkol fingerboard, 20 frets, 1-11/16” wide bone nut, scale: 25-5/16”, chrome hardware, ovangkol bridge, chrome diecast tuners, controls: volume, built-in tuner, bass/treble, phase, Fishman Presys II 301T preamp with tuner, D'Addario EXP-16 light set phospher bronze strings.
PEDAL SOURCE AUDIO ULTRA WAVE
Multi-Band Ultrawave Guitar Processor Compact Design 378 Band Split Options Including Single, 2, 3, 4, 8 and 10 Bands 44 Overdrive and Fuzz Distortion Types Including Tube, Diode, Foldback, Negative Flip Diode, Octave Up and more, Compressor/Expander, Stereo Inputs and Outputs, Detailed LFO controls to control Tremolo, Morphing or Ring Mod functions, 8-Band Graphic EQ, Adjustable Noise Gate, Assignable Knobs for quick on-stage changes, Make Changes Simultaneous On-the-Fly Up to Three Parameters with an External Expression Pedal, 6 Toggle Switch Accessible Presets, Select Between Buffered or Relay-Based Analog True Bypass, MIDI Compatible, USB Port, Durable Anodized Aluminum Housing, Access quickly and easily to a vast collection of published presets created by the Source Audio team and the growing Ultrawave Neuro community, Drive, Level, Sustai knobs n Bass and Treble Mid, dimensions: 11.4 x 7 x 5.1 cm (including knobs).
PEDAL NUX NOD-2 TUBEMAN MKII OVERDRIVE
Overdrive pedal for guitar, Drive, Level and Tone knobs, 1/4” input and 1/4” output, FET transistor that helps achieve the perfect overdrive sound so that transistor amps get a sound similar to a real tube amp , highlights harmonics, uses 9V DC adapter (not included), dimensions: 94 x 51 x 53 mm, weight: 174 g.
PEDAL NUX NGS-6 AMP ACADEMY
Pro-level amp modeling with bias tweaking, 7 independent moving signal blocks with send/return effects loop, intuitive operation and editing software, 1024-sample IR resolution, and slot for third-party IR loader with automatic format editor, scenes versatile application modules with independent 1/4” and XLR IR outputs, ultra-low system latency (1.2 ms) and powerful premium NXP RT DSP (1 GHz), comes with insertable Y cable for effects loop send /return, USB recording interface, AmpAcademy editor software and firmware update, 110 dB ultra-wide dynamic range, input impedance: 1 milli-ohm, output impedance: 1 kilo-ohm, sample rate: 48 kHz / 32 -bit, power: 9V DC (tip negative, optional adapter ACD-006A), current consumption: less than 300 mA, dimensions: 105 x 115 x 58 mm.
SCHECTER ELECTRIC GUITAR. PT PRO-MAPLE
Solid Electric Guitar, Alder Body, Flat Quilted Maple Top, Single Ply Ivory Binding, Black Hardware, Bolt-on Construction, PT-H Bridge with Stainless Steel Saddles / String Thru Body, Skinny Roasted Maple C-Neck, 14” (355mm) radius roasted maple fingerboard, Schecter Locking machinery, dot inlays, glow-in-the-dark dot markers, scale: 25.5” (648mm), thickness at 1st fret: .787” ( 20 mm) and at the 12th fret: .866” (22 mm), 22 X-Jumbo frets, 1.653” (42 mm) wide Graph Tech XL Black Tusq nut, 2-way adjustable truss rod with 5 Allen nut /32” (4 mm), Controls: Volume and Tone (Push-Pull) and 3-Position Switch, Bridge Pickup: Schecter USA Z-Plus™, Neck Pickup: Schecter USA Z-Plus™, Knurled Metal Knobs with fixing screw.
SCHECTER ELECTRIC GUITAR. PT PRO-EBONY
Solid Electric Guitar, Alder Body, Flat Quilted Maple Top, Single Ply Ivory Binding, Black Hardware, Bolt-on Construction, PT-H Bridge with Stainless Steel Saddles / String Thru Body, Skinny Roasted Maple C-Neck, 14” (355mm) radius ebony fingerboard, Schecter Locking machinery, dot inlays, glow-in-the-dark dot markers, scale: 25.5” (648mm), thickness at 1st fret: .787” (20 mm) and at the 12th fret: .866” (22 mm), 22 X-Jumbo frets, 1.653” (42 mm) wide Graph Tech XL Black Tusq nut, 2-way adjustable truss rod with 5/ 32” (4mm), Controls: Volume and Tone (Push-Pull) and 3-Position Switch, Bridge Pickup: Schecter USA Z-Plus™, Neck Pickup: Schecter USA Z-Plus™, Knurled Metal Knobs with fixing screw.
PASTILLA SD PUENTE HB 59 MODEL NICKEL
Passive humbucker pickup for 6-string electric guitar, '59 model, position: bridge, wiring: 1-wire braided shield, magnet: alnico 5, resistance: 8.20 kilo-ohms, designed to deliver classic PAF tone with modern construction, the Open, detailed sound from the vintage '59 (SH-1) exit humbucker pickup and sweet top-end make it the perfect choice for rock and blues.
BAJO MARS ELÉCTRICO MOD. EB-6 ACTIVO
Bajo eléctrico Mars EB-6, cuenta con un cuerpo de álamo, mástil de arce canadiense atornillado y diapasón de palisandro. Con un acabado mate/satinado, está equipado con un circuito activo y una pastilla Jazz Bass de gran tamaño. Los controles incluyen 1 volumen, 3 tonos (bajo, medio y agudo) y 1 jack. Tiene 24 trastes con inlays de perloid y cuerdas Alice de calibre 030 ~ 125. El hardware incluye un EB-6 tail con acabado cromado. Ideal para un sonido claro, versátil y de alto rendimiento.
ENCORDADURA DADDARIO MOD. XTAPB1047 3-PACK
Juego de 3 cuerdas para guitarra acústica con revestimiento extra ligero y revestimiento avanzado resistente a la corrosión, alambre envolvente de bronce fosforado y núcleo de NY Steel y tecnología Fusion Twist. Estas cuerdas se fabrican en los EE. UU. y se elaboran según nuestras estrictas especificaciones en nuestras instalaciones de producción de Nueva York.
BATERIA SONOR S/STANDS AQ2 STUDIO SET
Batería acústica serie AQ2 Studio Set, fabricada con 7 capas de maple, incluye bombo de 20” x 16” con tom holder DTH 4000, tarola de 14” x 6”, tom de aire de 10” x 7”, tom de aire de 12” x 8” y tom de piso de 14” x 13”, no incluye atriles ni platillos.
PLATILLO MEINL 18 MOD. CC18TRCH-B
Platillo Meinl. Modelo: CC18TRCH-B. De efectos. Estilos: Metal, Rock, Pop, Fusion y Studio. Timbre: Brillante. Tono: Alto / Medio. Volumen: Alto. Sustain: Medio. Peso: Delgado. Terminado: Brillante. Material: B10.
MEZCLADORA RELOOP MOD. RMX-60 DIGITAL
Mezcladora de club de alto rendimiento de 4 + 1 canales, 11 entradas y 6 salidas, arquitectura totalmente digital para un sonido y una flexibilidad excepcionales, 8 efectos de alta calidad de estudio (flanger, delay, echo, reverb, gate, pitch shift, phase, bit crusher, noise), pantalla de parámetros grande y claramente organizada, filtro bipolar por canal, características de ecualización ajustables (kill & classic), InnoFader compatible (RMX InnoFader disponible por separado), switch de asignación de crossfader por canal, canal de micrófono con ecualizador de 2 bandas y talkover “Tecnología Active Ducking’ para canal de micrófono, 2 salidas de audífono (jack y mini jack), ecualizador inteligente de una perilla y switch mono/estéreo para audífonos, preparado para el futuro gracias al innovador sistema de firmware actualizable (puerto de servicio USB), fader y crossfader-inicio y ajuste de curva, salidas simétricas (XLR) y asimétricas (RCA), entradas: 2 Phono, 7 Line y 1 Combo-Mic, salidas: 1 XLR, 1 Jack, 2 RCA y 2 salidas de audífonos, rango de frecuencia: 20 Hz – 20 kHz, rango de ecualizador clásico: +12 dB / -8 dB, rango de ecualizador de aislamiento: +12 dB / -26 dB (Total Kill), dimensiones: 320 x 107.5 x 386.7 mm, peso: 6.8 kg.
SOPORTE SONOR P/PLATILLO MOD. CTS 4000
El soporte para tom Sonor Serie 4000 ofrece ajuste sin engranajes y pies de goma para máxima estabilidad. Con un tornillo de mariposa para mejor agarre y brazos de tom con abrazadera de bola abierta, proporciona flexibilidad y facilidad de ajuste. Su varilla hexagonal corta y abrazadera de tubo de 2 segmentos permiten un ajuste seguro y preciso en dos segmentos. Ideal para un soporte robusto y adaptable.
TUMBA MEINL 12 1/2 MOD. RS1212PW
La Meinl Percussion Artist Series Roberto Serrano Tumba 12 1/2” ofrece un sonido cálido y resonante con su construcción en roble Siam de tres capas y parches REMO Fiberskyn. El acabado Pearl White y los herrajes de níquel cepillado le dan un toque elegante. Con llantas SSR redondeadas de 4 mm y clavijas de afinación de 10 mm, garantiza una afinación precisa y cómoda. Incluye Conga Saver, Soundpads y llave de afinación en L.
GUITARRA MARS ELECTRICA MOD. JAZZ SATIN
La Mars Electrica Jazz Satin combina elegancia y potencia. Con cuerpo de arce contrachapado y tapa de chapa de arce acolchado, ofrece dos humbuckers cerámicos para tonos versátiles. Equipada con puente Stop Bar Tail, controles de volumen y tono dobles, y disponible en colores llamativos como Red, Violin Sunburst, y Blue. Perfecta para músicos exigentes que valoran tanto el estilo como el rendimiento.
MEXICAN GUITAR PLAYERS
A website dedicated to the dissemination and promotion of Guitarists in Mexico and to publicize their projects and events. The largest Directory of Mexican Guitarists.
Jorge Cardenas
Jorge Cárdenas is a musician, guitarist and composer originally from Guadalajara Jalisco dedicated to the study and performance of Jazz. He studied guitar in the Music Department of the University of Guadalajara under the tutelage of the teachers Winfried Kellner and Juan Carlos Martinez Zavala. Later, he took advanced courses with teachers such as Hector Rodriguez, Francisco Lelo De Larrea, Tom Kessler, Ken Basman, Werther Ellerbrook, Simone Iannaerelli, Andrea Vettoretti and Jaime Soria Porto.… Read more
Carlos Santana
Carlos Santana is a Mexican jazz-rock and Latin rock guitarist, multi-Grammy winner. He is considered the 15th best guitarist of all time, according to Rolling Stone magazine.… Read more
Galileo (Galo) Ochoa
It was with Cuca that his career as a guitarist began to stand out. The characteristic sound of this band is mainly hard rock. Galo Ochoa has composed songs together with José Fors that became hits such as: "Son of the milkman", "La pucha asesina", "me vale madre", and so on. After the separation from Cuca, his brother Aldo, and Christian Gómez, joined Carlos Avilez (also her bassist), thus emerging Nata, where his main sound is closer to heavy metal. ... Read more
Oman Kaminsky
A graduate of the INBA Higher School of Music in Mexico City and the Koninklijk Conservatorium in The Hague in the Netherlands, Oman Kaminsky studied under the guidance of teacher Isabelle Villey and teacher Zoran Dukic.… Read more
Paul berthier
Guitarist for Glass Mind, a Mexican band of METAL PROGRESIVO founded in 2005.… Read more
Daniel Segovia
Based in CDMX since he was 8 years old, musical studies at ESTUDIO CONTEMPORANEO DE GUITARRA by Juan José Lavín (RIP), has formed different original music projects since 1988, played in different local stages, competing on several occasions and winning a a demo at Oz de La Castañeda's studio and a scholarship at Martell, currently in the band CUARTO PULSO whose first album is on all digital platforms, under the name CAYO DE CANTO, and now with a new single, ETERNIDAD , which will be part of the second album, 30 years of career already, in national rock.… Read more
Celes Garin
Guitarist of Noesis Ñuu-Savi, a musical group originally from Huajuapan de León, Oaxaca, Mexico, in their musical style they fuse the sounds of different cultures of the State of Oaxaca, made up of four brothers of Oaxacan origin dedicated to the dissemination of traditional music Mexican with sounds of an electric nature, also interpreting pieces of classical music by composers like Beethoven, mixing sounds such as blues, metal, rock, folk and Chilean.
... Read more
Gilberto Puente
Los Tres Reyes is a musical trio of Mexican origin made up of the brothers Gilberto Puente (second voice, requinto), Raúl Puente (third voice, guitar), currently accompanied by the Cuban Bebo Cárdenas (first voice, guitar, maracas). The trio Los Tres Reyes, led by Gilberto and Raúl Puente, with Hernando Avilés as first voice, was integrated in October 1958.… Read more
